Other Voices, Other Rooms Read online

  And that was as far as the matter went.

  "Look sharp now," said Radclif presently, "we're coming into town."

  A house. A grey clump of Negro cabins. An unpainted clapboard church with a rain-rod steeple, and three Holy panes of ruby glass. A sign: The Lord Jesus Is Coming! Are You Ready? A little black child wearing a big straw hat and clutching tight a pail of blackberries. Over all the sun's stinging glaze. Soon there was a short, unpaved and nameless street, lined with similar one-floored houses, some nicer-looking than others; each had a front porch and a yard, and in some yards grew scraggly rose bushes and crepe myrtle and China trees, from a branch of which very likely dangled a child's play swing made of rope and an old rubber tire. There were Japonica trees with waxy blackgreen polished leaves. And he saw a fat pink girl skipping rope, and an elderly lady ensconced on a sagging porch cooling herself with a palmetto fan. Then a red-barn livery stable: horses, wagons, buggies, mules, men. An abrupt bend in the road: Noon City.

  Radclif braked the truck to a halt. He reached across and opened the door next to Joel. "Too bad I can't ride you out to the Landing, son," he said hurriedly. "The company'd raise hell. But you'll make it fine; it's Saturday, lotsa folks living out thataway come into town on Saturday."

  Joel was standing alone now, and his blue shirt, damp with sweat, was pasted to his back. Toting the sticker-covered suitcase, he cautiously commenced his first walk in the town.

  Noon City is not much to look at. There is only one street, and on it are located a General Merchandise store, a repair shop, a small building which contains two offices, one lodging a lawyer, the other a doctor; a combination barbershop-beautyparlor that is run by a one-armed man and his wife; and a curious, indefinable establishment known as R. V. Lacey's Princely Place where a Texaco gasoline pump stands under the portico. These buildings are grouped so closely together they seem to form a ramshackle palace haphazardly thrown together overnight by a half-wit carpenter. Now across the road in isolation stand two other structures: a jail, and a tall queer tottering ginger-colored house. The jail had not housed a white criminal in over four years, and there is seldom a prisoner of any kind, the Sheriff being a lazy no-good, prone to take his ease with a bottle of liquor, and let trouble-makers and thieves, even the most dangerous type of cutthroats, run free and wild. As to the freakish old house, no one has lived there for God knows how long, and it is said that once three exquisite sisters were raped and murdered here in a gruesome manner by a fiendish Yankee bandit who rode a silver-grey horse and wore a velvet cloak stained scarlet with the blood of Southern womanhood; when told by antiquated ladies claiming onetime acquaintance with the beautiful victims, it is a tale of Gothic splendor. The windows of the house are cracked and shattered, hollow as eyeless sockets; a rotted balcony leans perilously forward, and yellow sunflower birds hide their nests in its secret places; the scaling outer walls are ragged with torn, weather-faded posters that flutter when there is a wind. Among the town kids it is a sign of great valor to enter these black rooms after dark and signal with a match-flame from a window on the topmost floor. However, the porch of this house is in pretty fair condition, and on Saturdays the visiting farm-families make it their headquarters.

  New people rarely settle in Noon City or its outlying parts; after all, jobs are scarce here. On the other hand, seldom do you hear of a person leaving, unless it's to wend his lonesome way up onto the dark ledge above the Baptist church where forsaken tombstones gleam like stone flowers among the weeds.

  Saturday is of course the big day. Shortly after daylight a procession of mule-drawn wagons, broken-down flivvers, and buggies begins wheeling in from the countryside, and towards midmorning a considerable congregation is gathered. The men sport their finest shirts and store-bought breeches, the women scent themselves with vanilla flavoring or dime-store perfume, of which the most popular brand is called Love Divine; the girls wear dodads in their cropped hair, inflame their cheeks with a lot of rouge, and carry five-cent paper fans that have pretty pictures painted on them. Though barefoot and probably half-naked, each little child is washed clean and given a few pennies to spend on something like a prize-inside box of molasses popcorn. Finished poking around in the various stores, the womenfolk assemble on the porch of the old house, while their men mosey on over to the livery stable. Swift and eager, saying the same things over and over, their voices hum and weave through the long day. Sickness and weddings and courting and funerals and God are the favorite topics on the porch. Over at the stable the men joke and drink whiskey, talk crops and play jackknife: once in a while there are terrible fights, for many of these men are hot-tempered, and if they hold a grudge against somebody they like to wrestle it out.

  When twilight shadows the sky it is as if a soft bell were tolling dismissal, for a gloomy hush stills all, and the busy voices fall silent like birds at sunset. The families in their vehicles roll out of town like a sad, funeral caravan, and the only trace they leave is the fierce quiet that follows. The proprietors of the different Noon City establishments remain open an hour longer before bolting their doors and going home to bed; but after eight o'clock not a decent soul is to be seen wandering in this town except, maybe, a pitiful drunk or a young swain promenading with his ladylove.

  "Hey, there! You with the suitcase!"

  Joel whirled round to find a bandy-legged, little one-armed man glowering at him from the doorway of a barbershop; he seemed too sickly to be the owner of such a hard, deep voice. "Come here, kid," he commanded, jerking a thumb at his aproned chest.

  When Joel reached him, the man held out his hand and in the open palm shone a nickel. "See this?" he said. Joel nodded dumbly. "O. K.," said the man, "now look up the road yonder. See that little gal with the red hair?"

  Joel saw whom he meant all right. It was a girl with fiery dutchboy hair. She was about his height, and wore a pair of brown shorts and a yellow polo shirt. She was prancing back and forth in front of the tall, curious old house, thumbing her nose at the barber and twisting her face into evil shapes. "Listen," said the barber, "you go collar that nasty youngun for me and this nickel's yours for keeps. Oh-oh! Watch out, here she comes again…"

  Whooping like a wildwest Indian, the redhead whipped down the road, a yelling throng of young admirers racing in her wake. She chunked a great fistful of rocks when she came opposite the spot where Joel was standing. The rocks landed with a maddening clatter on the barbershop's tin roof, and the one-armed man, his face an apoplectic color, hollered: "I'll getcha, Idabel! I'll getcha sure as shooting; you just wait!" A flourish of female laughter floated through the screen door behind him, and a waspish-voiced woman shrilled: "Sugar, you quit actin' the fool, and hie yourself in here outa that heat. " Then, apparently addressing a third party: "I declare but what he ain't no better'n that Idabel; ain't neither one got the sense God gave 'em. Oh shoot, I says to Miz Potter (she was in for a shampoo a week ago today and I'd give a pretty penny to know how she gets that mop so filthy dirty), well, I says: 'Mis Potter, you teach that Idabel at the school, I says, 'now how come she's so confounded mean? I says: 'It do seem to me a mystery, and her with that sweet sister-speakin' of Florabel-and them two twins, and noways alike. Wellsir, Miz Potter answers me: 'Oh, Miz Caulfield, that Idabel sure do give me a peck of trouble and it's my opinion she oughta be in the penitentiary. Uh huh, that's just what she said. Well, it wasn't no revelation to me cause I always knew she was a freak, no ma'am, never saw that Idabel Thompkins in a dress yet. Sugar, you come on in here outa that heat…"

  The man made a yoke with his fingers and spit fatly through it. He gave Joel a nasty look, and snapped, "Are you standing there wanting my money for doing nothing whatsoever, is that it, eh?"

  "Sugar, you hear me?"

  "Hush your mouth, woman," and the screen door whined shut.

  Joel shook his head and went on his way. The redheaded girl and her loud gang were gone from sight, and the white afternoon was ripening towards the quiet time of day when the summ
er sky spills soft color over the drawn land. He smiled with chilly insolence at the interested stares of passersby, and when he reached the establishment known as R. V. Lacey's Princely Place, he stopped to read a list that was chalked on a tiny, battered blackboard which stood outside the entrance: Miss Roberta V. Lacey Invites You to Come in and Try Our Tasty Fried Catfish and Chicken-Yummy Dixie Ice Cream-Good Delicious Barbecue-Sweet Drinks & Cold Beer.

  "Sweet drinks," he said half-aloud, and it seemed as if frosty Coca-Cola was washing down his dry throat. "Cold beer." Yes, a cold beer. He felt the lumpy outline of the change purse in his pocket, then pushed the swinging screen door open and stepped inside.

  In the box-shaped room that was R. V. Lacey's Princely Place there were about a dozen people standing around, mostly overalled boys with rawboned, sun-browned faces, and a few young girls. A hubbub of talk faded to nothing when Joel entered and self-consciously sat himself down at a wooden counter which ran the length of the room.

  "Why, hello, little one," boomed a muscular woman who immediately strode forward and propped her elbows on the counter before him. She had long ape-like arms that were covered with dark fuzz, and there was a wart on her chin, and decorating this wart was a single antenna-like hair. A peach silk blouse sagged under the weight of her enormous breasts; a zany light sparkled in the red-rimmed eyes she focused on him. "Welcome to Miss Roberta's." Two of her dirty-nailed fingers reached out to give his cheek a painful pinch. "Say now, what can Miss Roberta do for this cute-lookin fella?"

  Joel was overwhelmed. "A cold beer," he blurted, deafly ignoring the titter of giggles and guffaws that sounded in the background.

  "Can't serve no beer to minors, babylove, even if you are a mighty cute-lookin fella. Now what you want is a nice NEHI grapepop," said the woman, lumbering away.

  The giggles swelled to honest laughter, and Joel's ears turned a humiliated pink. He wondered if the woman was a lunatic. And his eyes scanned the sour-smelling room as if it were a madhouse. There were calendar portraits of toothy bathing beauties on the walls, and a framed certificate which said: This is to certify that Roberta Velma Lacey won Grand Prize in Lying at the annual Double Branches Dog Days Frolic. Hanging from the low ceiling were several poisonous streamers of strategically arranged flypaper, and a couple of naked lightbulbs that were ornamented with shredded ribbons of green-and-red crepe paper. A water pitcher filled with branches of towering pink dogwood sat on the counter.

  "Here y'are," said the woman, plunking down a dripping wet bottle of purple sodapop. "I declare, little one, you sure are hot and dusty-lookin." She gave his head a merry pat. "Know somethin, you must be the boy Sam Radclif brung to town, say?"

  Joel admitted this with a nod. He took a swallow of the drink, and it was lukewarm. "I want… that is, do you know how far it is from here to Skully's Landing?" he said, realizing every ear in the place was turned to him.

  "Ummm," the woman tinkered with her wart, and walled her eyes up into her head till they all but disappeared. "Hey, Romeo, how far you spec it is out to The Skulls," she said, and grinned crazily. "I call it The Skulls on accounta…" but she did not finish, for at that moment the Negro boy of whom she's asked the information, answered: "Two miles, more like three, maybe, ma'am."

  "Three miles," she parroted. "But if I was you, babylove, I wouldn't go traipsin over there."

  "Me neither," whined a yellow-haired girl.

  "Is there anyway I could get a ride out?"

  Somebody said, "Ain't Jesus Fever in town?"

  Yeah, I saw Jesus-Jesus, he parked round by the Livery-What? Y'all mean old Jesus Fever? Christamighty, I thought he was way gone and buried! — Nah, man. He's past a hundred but alive as you are.-Sure, I seen Jesus-Yeah, Jesus is here…

  The woman grabbed a flyswatter and slammed it down with savage force. "Shut up that gab. I can't hear a thing this boy says."

  Joel felt a little surge of pride, tinged with fright, at being the center of such a commotion. The woman fixed her zany eyes on a point somewhere above his head, and said: "What business you got with The Skulls, babylove?"

  Now this again! He sketched the story briefly, omitting all except the simplest events, even to excluding a mention of the letters. He was trying to locate his father, that was the long and short of it. Could she help him?

  Well, she didn't know. She stood silent for some time, toying with her wart and staring off into space. "Hey, Romeo," she said finally, "you say Jesus Fever's in town?"

  "Yes'm." The boy she called Romeo was colored, and wore a puffy, stained chefs cap. He was stacking dishes in a sink behind the counter.

  "Come here, Romeo," she said, beckoning, "I got something to discuss." Romeo joined her promptly in a rear corner. She began whispering excitedly, glancing over her shoulder now and then at Joel, who could not hear what they were saying. It was quiet in the room, everyone was looking at him. He took out the bullet thefted from Sam Radclif and rolled it nervously in his hands.

  Suddenly the door swung open. The skinny girl with fiery, chopped-off red hair swaggered inside, and stopped dead still, her hands cocked on her hips. Her face was flat, and rather impertinent; a network of big ugly freckles spanned her nose. Her eyes, squinty and bright green, moved swiftly from face to face, but showed none a sign of recognition; they paused a cool instant on Joel, then traveled elsewhere.

  Hi, Idabel-watchasay, Idabel?

  "I'm hunting sister," she said. "Anybody seen her?" Her voice was boy-husky, sounding as though strained through some rough material: it made Joel clear his throat.

  "Seen her sitting on the porch a while back," said a chinless young man.

  The redhead leaned against the wall, and crossed her pencil-thin, bony-kneed legs. A ragged bandage stained with mercurochrome covered her left knee. She pulled out a blue yo-yo and let it unwind slowly to the floor and spin back. "Who's that?" she asked, jerking her head towards Joel. When nobody answered, she loopty-looped the yo-yo, shrugged and said: "Who cares, pray tell?" But she continued to watch him cagily from the corners of her eyes. "Hey, hows about a dope on credit, Roberta?" she called.

  "Miss Roberta," said the woman, momentarily interrupting her confab with Romeo. "I don't need to tell you you have a right smart tongue, Idabel Thompkins, and always did have. And till such time as you learn a few ladylike manners, I'd be obliged if you'd keep outa my place, hear? Besides, since when have you got all this big credit? Ha! March now… and don't come back till you put on some decent female clothes."

  "You know what you can do," sassed the girl, stomping out the door. "This old dive'll have a mighty long wait before I bring my trade here again, you betcha." Once outside, her silhouette darkened the screen as she paused to peer in at Joel.

  And now dusk was coming on. A sea of deepening green spread the sky like some queer wine, and across this vast green, shadowed clouds were pushed sluggishly by a mild breeze. Presently the trek homeward would commence, and afterwards the stillness of Noon City would be almost a sound itself: the sound a footfall might make among the mossy tombs on the dark ledge. Miss Roberta had lent Romeo as Joel's guide. The two kept duplicate pace; the Negro boy carried Joel's bag; wordlessly they turned the corner by the jail, and there was the stable, a barnlike structure of faded red which Joel had noticed earlier that day. A number of men who looked like a gang of desperadoes in a Western picture-show were congregated near the hitching post, passing a whiskey bottle from hand to hand; a second group, less boisterous, played a game with a jackknife under the dark area of an oak tree. Swarms of dragonflies quivered above a slime-coated watertrough; and a scabby hound dog padded back and forth, sniffing the bellies of tied-up mules. One of the whiskey drinkers, an old man with long white hair and a long white beard, was feeling pretty good evidently, for he was clapping his hands and doing a little shuffle-dance to a tune that was probably singing in his head.

  The colored boy escorted Joel round the side of the stable to a backlot where wagons and saddled horses were packed so clo
se a swinging tail was certain to strike something. "That's him," said Romeo, pointing his finger, "there's Jesus Fever."

  But Joel had seen at once the pygmy figure huddled atop the seat plank of a grey wagon parked on the lot's further rim: a kind of gnomish little Negro whose primitive face was sharp against the drowning green sky. "Don't less us be fraid," said Romeo, leading Joel through the maze of wagons and animals with timid caution. "You best hold tight to my hand, white boy: Jesus Fever, he the oldest ol buzzard you ever put eyes on."

  Joel said, "But I'm not afraid," and this was true.

  "Shhh!"

  As the boys approached, the little pygmy cocked his head at a wary angle; then slowly, with the staccato movements of a mechanical doll, he turned sideways till his eyes, yellow feeble eyes dotted with milky specks, looked down on them with dreamy detachment. He had a funny derby hat perched rakishly on his head, and in the candy-striped ribbon-band was jabbed a speckled turkey feather.

  Romeo stood hesitantly waiting, as if expecting Joel to take the lead; but when the white child kept still, he said: "You lucky you come to town, Mister Fever. This here little gentman's Skully kin, and he going out to the Landing for to live."

  "I'm Mister Sansom's son," said Joel, though suddenly, gazing up at the dark and fragile face, this didn't seem to mean much. Mr. Sansom. And who was he? A nothing, a nobody. A name that did not appear even to have particular significance for the old man whose sunken, blind-looking eyes studied him without expression.

  Then Jesus Fever raised the derby a respectful inch. "Say I should find him here: Miss Amy say," he whispered hoarsely. His face was like a black withered apple, and almost destroyed; his polished forehead shone as though a purple light gleamed under the skin; his sickle-curved posture made him look as though his back were broken: a sad little brokeback dwarf crippled with age. Yet, and this impressed Joel's imagination, there was a touch of the wizard in his yellow, spotted eyes: it was a tricky quality that suggested, well, magic and things read in books. "I here yestiday, day fore, cause Miss Amy, she say wait," and he trembled under the impact of a deep breath. "Now I can't talk no whole lot; ain't got the strenth. So up, child. Gettin' towards night, and night's misery on my bones."